What kind of films do you want to make

The continuity system can help. Is it a drama, a campaigning video, a documentary or a music video? Keep the story or idea simple and make sure people can understand it. Can you describe it in 50 words or a tweet? Beware of relying on a clever twist: your movie should be interesting all the way through.

You could follow a standard three-act structure. A setup introduces the characters and the scenario. In the confrontation they work through the challenges, and a resolution wraps it up.

And this page has short film story ideas and advice. Be realistic. Instead, treat limitations as a challenge. Keep your movie short. You can make a one-minute movie in a few days.

A ten-minute movie will take weeks. The moviemaking process has three main stages: pre-production planning , production filming , and post-production editing and sharing. Pre-production is the planning stage, where you work out your movie in detail. There are several ways to plan. You can develop ideas using a mindmap or mood board. Then you can write a script and draw storyboards or make shot lists.

Go to this page for my film planning templates. Audition them before you commit to using them. Drama students can make good, affordable actors.

That means speaking more naturally and using smaller gestures. They should keep their eyeline close to the camera without looking into it the lens. Is the location safe? They are an excellent way to unwind relax; free your mind. Afterwards, we discuss and debate the film that we have just watched.

Apart from just relaxing and enjoying the film, I like to delve deeper get to the deeper meaning to discover the subliminal messages. Although they seem simple and innocent, there are often many life lessons packed into these films.

Not to knock to insult; discredit other film industries, but American ones are incredibly entertaining and well-made; the evolution of film continues to amaze me. Moreover, I only watch films in English so it helps me to learn new slang and expressions.

Well, I am quite a busy bee a busy person , but I manage to see about one or two films a week at home. After a long day of studying, I love snuggling up getting comfortable with blankets on the sofa and watching a film to unwind.

I love westerns. Crime 1. I love adventure movies. I love movies with suspense and drama. Why do you like … movies? I like them because… they make me cry. I love to cry. Crying makes me feel better. I love to laugh. I like being scared. Answers from the net What do you like better horror movies or comedy movies? Yahoo Answers. I like better comedy movies because horror movies now a days suck. Comedy, I suppose. I love both but older horror movies are my favourite.

I prefer comedy to horror. I like both. It depends on my mood. Plus most horror movies are funny. Comedy movies because after that I can get happiness. Horror, horror, horror. What kind of movies do you like? Yahoo Answers 2. People may like to watch crime movies or Westerns. They like characters within this particular type of story because of the amount of action or the time period setting.

People may like Westerns because they wish they lived in the 19th century because it was considered a simpler time. We will begin to discuss the different genres, and even the sub-genres, for certain genre types. I will give a hypothetical example of each so you will begin to see how different genres are formed.

Keep in mind with movie genre, it is the characters that make the movie, and this term is obvious enough that no explanation is needed. The story is the situation that the characters are in and try to get out of, accomplish, conquer, or overcome.

The story has a beginning, middle, and end. More discussion about those will be given in Chapter Three. The plot is the outline or how the story is told. Remember when people state that they did not like the plot? What they are referring to is that they did not like the story. I will be referring to this concept over and over again throughout the book.

There are only a limited number of plots as the plot is a general outline for a story, like revenge. A particular plot describes how a story will begin, develop, and end. This type of story will have a different format than a plot such as man against nature or man versus the government. You will be able to see that the background and actions of the characters change as the type of stories are different.

The setting is dependent upon the story, but the plot remains the same. I want to stress that we are going through the different genres so character and story development can be seen for each of the genres rather than just giving a general overview of the term genre. I want you to see how only certain elements are contained in a genre, and other elements outside of character, story, plot, and setting are not part of determining a genre.

Everybody likes a comedy because everybody likes to laugh and feel good. People like to watch a comedy after a bad day, because once the movie has ended, you can deal with the negativity of the day easier. This is why even horrendous comedy movies can end up making a profit. The characters and story for a comedy hinge on three areas: the unexpected, the unusual, and repetition. These three areas will generally make people laugh.

Generally, a comedy will have a happy ending. Even though some people will deny it, everybody likes a happy ending because it makes them feel good. This is why comedies are so popular. The complicated part of the comedy genre is that there are different types or sub-genres of comedy; depending upon how outrageous and impossible the characters and story are in the movie.

Keep in mind that the plot is general, and the setting can be set in any time or any place. We will discuss the comedy genre in terms of the different sub-genres of comedies and how the characters and story vary per sub-genre. Comedies run a gamut, ranging from very physical to nonsensical to subtle to dark. The sub-genres of comedy are slapstick, farce, satire, and dark. Any other genres are a variation of these four types.

Comedy is actually a variation of physical action and ridicule. The only exception is screwball comedy. Screwball comedy has many different traits that are outside of a genre. Screwball comedy, because it existed during the Great Depression, contains class conflict between the middle and lower classes and the upper class, along with other peculiarities that only existed during that time period.

The Merriam-Webster Dictionary defines slapstick as comedy that involves physical action such as falling down or hitting people.

The plot is an inner conflict that builds and ends with these various comedic episodes. The setting can be any time or place that best exemplifies the comic antics that the characters go through.

Jack is down on his luck. He helps a girl, Suzie, whose car broke down near where Jack works. He helps her, and then she leaves, but he cannot get her out of his mind. Then he sees her in one of his classes. He is afraid to talk to her though. Every time he tries to go up to her, he either stumbles and falls or gets involved with helping someone with disastrous consequences.

The last time someone asked him to hold onto one of the ropes of the theatre rigging system where the backdrops were attached, too many stage weights attached to the rigging resulted in Jack flying into the air because he did not let go of the rope. As luck always has it in a slapstick comedy, Suzie is still driving the old broken down car. She breaks down again in almost the same locations as last time. Jack swallowed what little pride he had left, and went to help her.

He got her car started, but she did not drive away immediately after getting it fixed but stayed to talk to Jack. They talk, kiss, and accidentally turn the outside sprinkler system on, getting soaking wet in the romantic conclusion. From this example, you can see that slapstick comedy is all about the characters and the episodic situations that they get into, resulting in physical comedy.

The plot is inner conflict where Jack, the protagonist, wants to turn his life around. This then becomes the story. The story has a climax between Jack and Suzie. The setting is a college campus.

Plot has more prominence in farce than in slapstick because there is a satirical story. In other words, the story concerns a topic that is ridiculed in an extreme way. We can adjust the last example quite easily to demonstrate this. Jack and Suzie are college students, and Alec is a well-known actor coming to the campus to play a role in the theatrical production at the college. This event has been arranged so the college theatre department can make money.

Jack takes a dislike to Alec, but Suzie finds him fascinating. Alec finds himself fascinating. Slapstick is shown by the over-the-top acting that Alec does. Jack has a difficult time wondering why Alec is famous.

Suzie soon finds disenchantment with Alec because he is only concerned about himself. Jack and Suzie and the other theatre majors decide to take the actions of the play to the extreme to humiliate and humble Alec. In a water scene, where Alec is supposed to pantomime having water thrown on him, real water is used. This drives Alec into a hysterical rage, and he chases Jack and Suzie on stage, off the stage, around the theatre, and out the theatre doors.

Alec winds up accidently knocking himself unconscious. Jack states that the most natural acting that Alec has done is being knocked out. Next, Jack develops a hair-brained scheme so the theatre department can make money. Jack and Suzie make a list of the wealthiest men and women in the area. They invite as many of these wealthy people in the area to participate in an auction.

There will be five male winners and five female winners. The prize is that they win Jack and Suzie for a day to act as their slaves.

You can see that a farce has more of a story than slapstick comedy. The plot has an inner conflict of the protagonists, Jack and Suzie, needing money. This creates a story where college theatre students try outrageous ways to make money to save the theatre department. The story ridicules colleges, actors, and theatres in general. The actions of the characters are very slapstick with physical comedy throughout the movie.

Satire is subtler than farce or slapstick in the actions of the characters. The plot develops an inner conflict, but the story is more realistic and may, at times, not even appear to be a comedy. Jack and Suzie, once again, are college students. Alec, though, is the instructor, who has a drinking problem, and he is directing a class that Jack and Suzie have to take as a requirement of their theatre major.

Alec tries to convince the students that there is no right or wrong way to direct, act, or design. In his mind, theatre is all done with emotion. If it feels right, then do it. He does not understand why he has to go through four years of college if he just has to recognize what feels right.

Jack asks Alec for more of a discussion on what feels right. He questions the college administration as to why they are paying so much for Alec. The college administration retorts that Alec is one of the best in his field. Jack states that Alec teaches absolutely nothing of any value. Defeated, Jack goes to see Suzie, his last hope. Suzie tells him not to be too quick to judge. Suzie states that she believes she understands what Alec is driving at with his ideas.

Suzie tries to demonstrate the statements that Alec has mentioned. After a few hours Suzie becomes frustrated and states the both of them must go to see Alec. After two hours with Alec, Jack and Suzie are delirious. Being delirious, they finally fathom what Alec means. From this discussion of the characters and story, physical actions do not enter as a predominant element that they do in straight slapstick or farce. The satire is an obvious ridicule of theatre as a major and the type of people in theatre.

A more subtle satire would be Jack and Suzie acting as a clique and by being prima donnas. They mock a new theatre major, Alec, who wants to do a good job.

Alec starts to develop his talent under strenuous and often humorous situations with consequences to the amazement of Jack and Suzie.

But then he realizes what he has to give up for it. He quits for his own self-respect. When does extreme satire become farce? A good way to judge farce or satire is how much unrealistic physical comedy is in the movie.

Dark humor and black comedy are terms that make fun of or ridicule taboo topics like death. The characters are involved in a story that goes to the point of being grotesque and not being funny.

With this example of a college theatre as the setting, and the plot being the inner conflict of the main character, how can the characters and story become absurd, morbid, and grotesque when discussing the taboo topic of death? Quite easily actually! In order to relieve himself of his frustrations, Jack tortures and kills everyone who receives this part in the most brutally visual ways imaginable.

He does this in hopes of eventually receiving this specific coveted role. Jack, though, is the only one who believes this role is so desirable and sought after. Jack kills the first person who is given the role, Alec, by drawing and quartering him before he hangs him. The second person to be given the role is Suzie, which really angers and infuriates Jack that a woman would get the role before him.

This action adds absurdity to the story. This is a dark humor movie rather than a serious movie because of the reasons, background, and extreme actions in the story. The characters act realistically based on their personalities, which are all unusual. The physical action is real so this scenario cannot be considered slapstick.